THE EYES 

An unrestricted creative playground free from conventional narrative obligations. Conceived as an experimental stop motion pictures, the film emerged through close collaboration between me and a fellow art ist, both approaching the medium as ama teur digital painters. 

Much of the visuals predates the project itself, drawn from earlier, indepen dent works. The animation in fact is an act of recombination rather than invention; an as sembling of images as a collage artwork. In rejecting standard storytelling frameworks, The Eyes embraces play, spontaneity, and visual association as its primary language.